These are based on 19 type rock amps (not unlike Marshall) but also provide a Rear Panel view of the amps where you can get more creative with FX and Mic recording chains.īrainworx have gone to great lengths to provide ‘Recording Chains’ with the Friedman plug-in, featuring many different mics and EQ’s and then adding delay, chorus, flanger effects accordingly.
There is also a Main EQ Output, which is separate to the EQ settings on the front panel of the Plexi Super Lead and is used more as a global tone shaper after the 3 mic choices.įriedman amps are a modern take on classic designs by David Friedman which Brainworx have modelled the BE100 and the DS40 for the UAD-2 Platform. Valve Mics : Mic1 - 67 Stereo Left, Mic2 67 Stereo Right, Room Mic - C12 The microphones are labelled as such, and all have very familiar names :ĭynamic Mics : Mic1 - 57, Mic2 - 609, Room Mic - 87įET Mics : Mic1 - 705, Mic2 - 87, Room Mic - 4038 The mic placements and choices were chosen by a man who knows his Marshall tones, Tony Platt, and recorded at Kore Studios.so you know they're going to sound great! There are 3 general choices between Dynamic, FET and Valve and within those categories, there are 3 mics, each with a Fader and Pan control allowing adjustment and balance between them. Secondly, a quick click on the Channel Strip button shows a hidden area where you can see what mics have been used to record the Cabinet in each setting. Linking the inputs by a jumper cable is also possible, again like on the real amp. Firstly you can change the input routing just like you can on a Marshall should you wish to alter the 4 inputs into the Channel 1 and Channel 2. It has all the controls expected from the familiar Marshall front panel amp head but with a few tricks up its sleeve. Although branded as a 1959 it is advertised with the famous ‘EL-34 power tubes (the original 1959 amp actually had 4 KT66 tubes and it wasn’t until 1967 that Marshall introduced the four E元4 valves) so this is an emulated 1967-era designed amp with a 1960BHW speaker cabinet. Created by Softube this plug-in is based on the 1959 100-watt Marshall amp and features multi-microphone options. Probably the most talked about new UAD-2 plug-in for guitar is the Marshall Plexi Super Lead.
These are not exclusively for 6 string players as many of these devices that Universal Audio have modelled have been used for years on many other tracks to add vibe and character, but here is a roundup of what is currently available should you wish to turn your amp off and go off into the box. In addition to the increasing line-up of guitar oriented plug-ins, Universal Audio's appeal to guitarists will come from the fact that they can record and play with the plug-ins in real-time through their range of Apollo audio interfaces. However, Universal Audio have been increasingly providing many plug-ins geared towards guitarists. Many of the UAD-2 plug-ins have become go-to tools for mixing and mastering by adopting modern DSP technology while remaining familiar as they're based on classic or sometimes esoteric studio recording outboard equipment.
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